2021年10月，让-吕克·戈达尔提出《剧本》的创作构想——这部34分钟的先锋影像实验，以静态摄影与动态胶片交织的蒙太奇语法，解构「观看」与「阅读」的认知边界。在闪烁的帧格间隙，电影大师以光影书写最后的宣言，将银幕化作游弋于文本阐释与视觉感知之间的混沌场域。

2021年10月，让-吕克·戈达尔提出《剧本》的创作构想——这部34分钟的先锋影像实验，以静态摄影与动态胶片交织的蒙太奇语法，解构「观看」与「阅读」的认知边界。在闪烁的帧格间隙，电影大师以光影书写最后的宣言，将银幕化作游弋于文本阐释与视觉感知之间的混沌场域。

Rosa is a prostitute who inherited her profession from Antonia, her mother, who thinks she is Sara Montiel and who has turned her daily life into hell. Rosa does not know how to be happy. She finds it simply impossible. But the unexpected arrival of a new member to her odd family will give her a unique opportunity to achieve happiness. 　　It Is a film about family. Women leaving “La puerta abierta” are very different, have come from different countries or living here for years. They love and fight in equal parts, but all form a vital and hilarious group almost like a real family.

Rosa is a prostitute who inherited her profession from Antonia, her mother, who thinks she is Sara Montiel and who has turned her daily life into hell. Rosa does not know how to be happy. She finds it simply impossible. But the unexpected arrival of a new member to her odd family will give her a unique opportunity to achieve happiness. 　　It Is a film about family. Women leaving “La puerta abierta” are very different, have come from different countries or living here for years. They love and fight in equal parts, but all form a vital and hilarious group almost like a real family.

This short film, made in 2005, starts when Framton Nuttel enters the house of Mrs Sappleton. He is a young man from London suffering from nervous exhaustion, and he goes to the country side for some prescribed rest. He calls upon Mrs Sappleton, an acquaintance of his sister’s. 　　He is shown to the parlour by Mrs Sappleton’s niece, Vera, who entertains the man while he awaits the appearance of his host. Vera tells a story, the terrible tragedy of Mr Sappleton and his sons. He is told how they went out hunting in the marshes, and were lost in a fog three years earlier. Their bodies were never found but the mistress of the house insists that the French doors are left open every day until dusk, preying and hoping that one day they will return. 　　Mrs Sappleton arrives in the room, and quite blithely references that the doors are left open in expectation of her husband and sons. Nuttell and Vera exchange a knowing look. Tea is served while Mrs Sappleton reads Framton’s letter of introduction. As they sit, trying to make polite conversation, Framton notices figures emerging from the mist and heading towards the open doors. 　　Mrs Sappleton exclaims in surprise and delight, but the look of horror on Framton’s face is obvious. He drops his tea cup and leaves the room and house as fast as he can. 　　When Mr Sappleton inquires after the guest he saw leaving in a hurry, Mrs Sappleton explains that he was visiting the country for his health but that she thought he was an odd man. Vera continues to explain his sudden departure as being caused by the dogs they had with them. She explains that he had spent a terrible night some years ago that he was chased along The Ganges by a pack of wild dogs. The film finishes with Vera giving the camera a cheeky knowing glance. 　　http://www.michael-sheen.co.uk/newsdesk/filmography/film-index/the-open-doors/

This short film, made in 2005, starts when Framton Nuttel enters the house of Mrs Sappleton. He is a young man from London suffering from nervous exhaustion, and he goes to the country side for some prescribed rest. He calls upon Mrs Sappleton, an acquaintance of his sister’s. 　　He is shown to the parlour by Mrs Sappleton’s niece, Vera, who entertains the man while he awaits the appearance of his host. Vera tells a story, the terrible tragedy of Mr Sappleton and his sons. He is told how they went out hunting in the marshes, and were lost in a fog three years earlier. Their bodies were never found but the mistress of the house insists that the French doors are left open every day until dusk, preying and hoping that one day they will return. 　　Mrs Sappleton arrives in the room, and quite blithely references that the doors are left open in expectation of her husband and sons. Nuttell and Vera exchange a knowing look. Tea is served while Mrs Sappleton reads Framton’s letter of introduction. As they sit, trying to make polite conversation, Framton notices figures emerging from the mist and heading towards the open doors. 　　Mrs Sappleton exclaims in surprise and delight, but the look of horror on Framton’s face is obvious. He drops his tea cup and leaves the room and house as fast as he can. 　　When Mr Sappleton inquires after the guest he saw leaving in a hurry, Mrs Sappleton explains that he was visiting the country for his health but that she thought he was an odd man. Vera continues to explain his sudden departure as being caused by the dogs they had with them. She explains that he had spent a terrible night some years ago that he was chased along The Ganges by a pack of wild dogs. The film finishes with Vera giving the camera a cheeky knowing glance. 　　http://www.michael-sheen.co.uk/newsdesk/filmography/film-index/the-open-doors/

讲述一个青少年和母亲(Piercey Dalton饰)搬进新家，却发现被一股邪恶的力量所围绕。

牛强是德育小学四年级学生，品学兼优，爱好踢足球。班主任金老师每天放学前布置作业太多，同学们意见很大。向校长反映情况的林小娟在课堂上受到金老师批评，牛强站起来替小娟抱不平，金老师非常生气。好拨弄是非的李小芬则暗示大家孤立林小娟，留级生张大钧爱搞恶作剧，借机散布牛强和林小娟相好的谣言，牛强气愤不过，与之扭打起来。闻讯赶来的金老师不分青红皂白，当堂宣布处分牛强，牛强不服，与其争辩。面对如此局面，林小娟深感不安，约班长徐健美亲赴金老师家里道出原委，金老师听后内心深感惭愧，对自己简单粗暴的教学方式很后悔......

牛强是德育小学四年级学生，品学兼优，爱好踢足球。班主任金老师每天放学前布置作业太多，同学们意见很大。向校长反映情况的林小娟在课堂上受到金老师批评，牛强站起来替小娟抱不平，金老师非常生气。好拨弄是非的李小芬则暗示大家孤立林小娟，留级生张大钧爱搞恶作剧，借机散布牛强和林小娟相好的谣言，牛强气愤不过，与之扭打起来。闻讯赶来的金老师不分青红皂白，当堂宣布处分牛强，牛强不服，与其争辩。面对如此局面，林小娟深感不安，约班长徐健美亲赴金老师家里道出原委，金老师听后内心深感惭愧，对自己简单粗暴的教学方式很后悔......